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I then modulate the delay to get some more rhythm going, and I modulate the pitch of the Comb filter for a simple melody. I send the loop through 2 channels, one is for the filtered version thats is controlled with a MSEG and the other one is going through a delay and a comb filter. For this sound I used just an Apple drumloop. You can find more about this in the Zebra manual, all the way at the bottom there is a section about Zebrify. What you can do in that case is to use a muted separate track with percussive sounds, or just a click, to tell Zebrify what the timing is. The input settings depend a little bit on what kind of sound your using, if you use a drumloop its going to be easy, but if you use pads with slow attack settings you might have a more difficult time. Four LFOs per voice as well as two global LFOs. Additionally, the synthesizers own manual will always contain detailed. Four filters with 23 types and four cross-modulation filters (XMF) Four synchronized multi-stage envelopes and four extended ADSR envelopes with start delay. To load 3rd party presets and sounds into u-he synthesizers like ACE, DIVA, Zebra, and HIVE and to access them directly through the synthesizers preset browser, you must place/copy the presets to a specific folder/path, depending on if you operating on Win or Mac OS. The main advantage of Zebrify is that you can use it on anything! You can try it on guitars, vocals, drums, whatever you wish! The first thing you need to do is set the input detection, the modulators and Zebrify need to be triggered on time so this is important. 1-, 2-, 4- or 11-voice unison with detune and stereo width. Zebrify comes with Zebra and its really an awesome addition to the great synthesizer. Plus a few touches unique to each model.So far we have only looked at U-he Zebra, but have you also checked out Zebrify? The five models offer a wide range of different characteristics that fundamentally affect the overall sound, giving you a broad palette to start with for your next riff, bass and pad.Īll five share common controls: waveform selection, octave range, mix or independent output volume controls, a noise source and plentiful modulation options. Like the filters, Diva’s oscillators are also modelled on classic hardware. All filters have modulation options and the traditional cutoff and resonance controls, but each has its character, quirks and options. (If you are interested, Urs wrote an in-depth blog post about ZDF.)ĭiva models five different filters found in classic hardware synthesizers. With ZDF, the delays normally produced when modelling analogue circuits are vastly reduced, resulting in a much more authentic resonance behaviour. A combination of realtime circuit simulation and zero delay feedback (ZDF) design gives Diva its remarkable sound. The filters are at the heart of Diva’s analogue sound. One spirit, many flavours Oscillators and Filters